PROGRAMS FOR CHILDREN AND ADULTS
Programs are personal, honoring questions from the
audience, and story-based. Joan is dedicated to presenting children's
literature as literature, more so than as tools for teaching concepts
or issues. This is her philosophy even at the college level where
she teaches Literature for Children. It is essentially that literature
is a shared experience between the heart of the writer and the heart
of the listener or reader. All school programs are geared to the developmental
level of the audience. Joan prefers to speak to groups which have
obtained copies of her book beforehand.
Teachers! Be sure to
visit my "Just for Kids" page. You'll find crossword puzzles and a
word scrambler based on my anthologies of myths and legends as well
as on my upcoming book about the American Revolution. Context clues
are given for each word.
SAMPLE STUDENT PROGRAMS:
1A) United No More! Stories of the American Civil:
Teachers, please see Workshops 1 and 2 below for
educators. I will focus on how to tell an accurate, exciting story
of a historical character and how to do the research for it, geared
to middle-grade or high-school aged students.
1B) Victory or Death! Stories of the American Revolution:
Teachers, please see Workshops 1 and 2 below for
educators. I will focus on how to tell an accurate, exciting story
of a historical character and how to do the research for it, geared
to middle-grade or high-school aged students.
2) You Can Call Me Willy: Story reading; question-and-answer
opportunity; sharing of the process of bringing the book to print
(presentation of various drafts of manuscripts and illustrations,
discussions with editor). Appropriate for second half 1st through
4th grade. (1 hour)
3) 101 Read-Aloud Myths collections: Selection
of sample myths by theme, such as "fire and lightning." Or selection
by hero/ine. In both cases, discussion of mythology as a form of storytelling,
followed by class storytelling experience. 3-6 grade. (1-1 1/2 hours)
4) The Writing Experience, or A Day in the
Life of a Published Author. This workshop will describe for students
in middle and high school grades what it takes to be a writer. Topics
include: how to find the stories; how to keep the creative flow going;
and techniques. (1-1 1/2 hours)
5) The Hero's Journey through Storytelling
and Music: As desired, the stories can focus on
a hero or heroine from one or more regions: Asia, the Celtic world,
Greece, Rome, Scandinavia, Native America, Egypt, or India. Joan can
also introduce a theme by contrasting myths from two regions or more.
An example: There are several stories from China about Monkey. He
was born from a rock and is a mischievous, immortal, shapeshifting
hero. The hero's journey is from selfishness to self-understanding
and empowerment. She uses the combination of music, storytelling and
reading aloud to cover six Monkey myths. Joan invites students to
participate with comments and questions.
Fees for Programs 1) to 5): $300-$650: Determined
by the number of participants/classes.
SAMPLE PROFESSIONAL DEVELOPMENT
WORKSHOPS:
Workshop 1: Research
& Its Importance
1. Discussion of research techniques; e.g. print (including newspapers),
Internet, primary research; the skills needed for each.
2. How to excite students to do quality research?
3. What kind of research do different literary genres require?
4. How to help students understand the research upon which fictional
and non-fictional works depend? She will use examples from her experience
as a writer in both areas.
Workshop 2: Historical
Fiction
1. What comprises this literary genre?
2. The discussion will focus on historical fiction.
3. What elements need be "true"? Which can be fictionalized?
4. How to inspire students to recognize what is historical and what
is fiction?
Workshop 3: Assessment of Students' Writing
1. How to lay down reasonable ground rules for "acceptable" writing?
2. Tools of encouragement, or how not to stifle creativity?
3. Building community and establishing an atmosphere of trust for
new writers.
4. How to encourage the read-aloud process?
Workshop 4: Fact-Finding for Folklore, Non-Fiction,
Fiction: Similarities and Differences: "Look it up." How many times
have we heard this phrase? And passed it on to students? This workshop
will explore how to develop useful questions as guideposts for the
research process, whether the desired end be folklore, non-fiction
or fiction. The workshop discusses when and how to assess one's research,
and where to go from there in terms of genre. What if the writer doesn't
know the intended genre at the beginning of the fact-finding process?
Joan Verniero shares experience as a researcher and children's author
and gives some tips to the undecided on how to determine the genre
which best serves the research and the story.
Workshop 5: Children's Books as Literature;
Children as Audience: Presentation of various books from cross-section
of genres. Discussion of literary elements linked with child development
stages to demonstrate both literary value of books and appropriateness
of audience for each. Presentation of the "writing experience" which
brings the books from the author to the child. (1-2 hours)
Workshops 1-5: Fees
One-hour workshop: $300
Two-hour workshop: $500
Workshop 6: How to bridge the gap between
expository and creative writing, and How to encourage students to
use factual material creatively?
This is a hands-on experience for staff and requires a longer session.
Participants would select beforehand to express themselves through
either expository or creative writing. The workshop will open with
a read-aloud sharing by each participant of a one-to-two page passage
she/he has brought which exemplifies published expository or creative
writing. Each participant will then receive the same informational
packet as the factual basis for the short expository or creative sample
she/he will write during the workshop. Discussion will cover the differences
between both types of writing, and, where they exist, the similarities,
such as the use of exposition in both fiction and non-fiction.
Workshop 7: Unbiased Literature for Children
Without fair representation of gender, sexual orientation, ethnicity,
race, age, physical capability and economic level, children's books
not only tell lies, but they limit some young readers and listeners
to visions of a future without hope. As author of unbiased books for
children, Joan will discuss the subtlety of bias in literature. She
will explore the danger of such bias for all children and how to look
for bias in children's literature. Handouts will provide a collection
of unbiased books for youngsters. Attendees will have the opportunity
to identify bias in books and to react to unbiased literature. Range:
picture books to Young Adult
Workshop 8: Chinese Mythology
I. Myths! Myths! Myths! (1st hour) There is no need to read
every myth to be able to understand them. The large group breaks into
groups of five (or six at the most). I choose three myths, of between
800 and 1,000 words, for each group to read aloud to one another.
The myths are all from different periods and places of origin to provide
a broad mix. The idea is to connect with the fact that myths are essentially
oral literature and to encourage reading aloud.
After the readings, each small group discusses the
themes in the myths they just shared. There is no correct answer and
no pressure to this. The idea is for participants to connect with
the abstract values of Chinese mythology. If time permits, the full
group comes together again to share the identified themes and any
similarities and differences that may appear."
II. Concepts & the Classroom (2nd hour)
This hour focuses on the myths of China for fourth graders. The audience
is again divided into groups of five or six, (these can be the same
as in hour one, or new groupings) with one person being responsible
for taking notes. Their task will be to choose a concept from the
list they'll receive and then identify whether or not the shared myths
portray the concepts, and if so, how they do it. Concepts include:
Number, Distance
Color, Magic
Nature, Weather
Sky, Stars, Shapeshifting/Transformation
Animals Deities
Being Human
Duty/Love
Family
Other?
Workshop 9: The Writer's Journey - a road
map for the well-written piece
Journey and Writing. The workshop offers participants
the opportunity to investigate the writing process.
In her workshop, the author and educator addresses
the following topics:
Where to Start?
How to Compose?
Where to Go?
How to Enjoy Writing As An Experience.
The workshop involves the following elements:
Exercise in finding your voice.
Oral Storytelling - a look at journey.
The Writer's Journey - a road map for the well-written piece.
Writing exercise.
A Critiquing session.
Question-and-Answer session.
Workshops 6-9: Fees
$350-$1,000: As determined by the amount of time desired and number
of participants.

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